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But I think now I have more confidence and it might even give me the confidence to do more. I did not have the courage to talk about how liquor is being politicised here in the past. If you ask me if I would have made Mahaan as my second film, I donРІР‚в„ўt know, probably not. No, I would say all these experiences while making films like Pizza and Jigarthanda has given me the confidence to make anything into the script. Are you changing, like, in terms of your thought process?

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In Jagame Thandiram, you talk about immigration and in Mahaan, you have Gandhism and you talk about free will and all these kinds of things.

But gradually, you have started to make more political films like your short film in Navarasa.

Last question, has Karthik Subbaraj become a more political filmmaker? In the beginning, you used to do pure genre films like Pizza and Jigarthanda. I thought it was more exciting than gradually making them meet each other. So when I had to show 20 years in one hour, I thought it would not be wrong if these were coincidences. When we are showing three phases, his entire life of 20 years should be shown in one hour and then the other story starts where his son comes back. There are actually three phases in the film РІР‚вЂњ Gandhi MahaanРІР‚в„ўs actual life, the bigger turn when he meets Satyavan, then later there is an issue when the Government decides to take up everything and we need someone to take them to the next level, so Gnanam comes in. So all these were deliberately written to be coincidences. And Gnanam comes in when there is a crucial situation where they need the support of a politician he then accidentally becomes a close friend. He goes to the bar and coincidentally he meets Rocky and gets to know that RockyРІР‚в„ўs father is Satyavan. But they have to meet again because that is the story. So the three boys are separated at that moment itself. In childhood, the complaints reach their parents and they are split. When you wrote the scenes, did you deliberately write it as a coincidence? Later, again in sort of a coincidence, he runs into Gnanam. During that one night, he stumbles into Satyavan. Then, when Gandhi is celebrating his 40th birthday, that one night he decides to do whatever he likes. Satyavan, Gnanam and Gandhi were childhood friends. When we shot that scene, it was very convincing. After hugging, immediately, she slaps and then he too slaps back. Though she has the feeling that he has cheated, when she sees him after twenty years, I felt the first instinct would be to hug him. Even in earlier scenes, she will do everything but she would also ask him why he is wearing an old shirt on his birthday. For Nachi, though he was against their ideologies, she always loved him. When we think from the perspective of Naachi, that action felt right. Many asked me why that scene, I have no reason. So when I was thinking what would they first do when they meet, I felt like they would hug each other. The Mahaan character has faced a tragedy just before that scene and he walks in with so much anger. The son comes and stands like a demon, and the main reason is the way they have nurtured him with the vengeance against his father. They are meeting after 20 years, and during that period they had no contact. When I wrote that scene, I felt it was important.

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